The action is hardly underway when candour starts sliding into earnestness. Nonetheless, understatement is an early casualty. It’s an art that Green, too, has studied and the film’s director, Josh Boone, is working from a script that cleaves closely to his book. Steeped in the traditions of social realism, they’re experienced straight talkers, adept at the art of undercutting candour with understatement and bitterness with gallows humour. It’s the kind of question that British filmmakers tend to handle more easily than their American counterparts. But what kind of tears? Will we come to admire and empathise with its two leads or will we leave the cinema queasily convinced we’ve been manipulated into feeling for them because they’re sick? After all, it’s about two teenagers stricken with cancer. The film of John Green’s bestseller is guaranteed to end in tears.
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